In 1966 Italian director Michelangelo Antonioni made Blow-Up, which was set in swinging London and which made a bundle, in addition to getting a lot of subsequent attention by proto post-modernists academic scribblers writing in cutesy journals like Cahiers du Cinena. Interrogating the nature of reality sort of stuff.
Four years later, after two years in the making and a budget which would buy you an average-sized middle European country, he produced Zabriskie Point.
You can read the liner notes on the recently released two CD soundtrack of the movie HERE, and they are well worth the effort. Long and detailed account with some nice trivia.
Mark Frechette our wannabe campus cop killer got a little too much into his character, went on to bank robbery and ended up in the Big House for an extended period. The acting career of his female associate, the hottie Daria Halprin’s film career died on the vine, so she then made a questionable career choice and married Dennis Hopper. The great Australian actor Rod Taylor turned in credible performance as a real estate tycoon (ie fascist representative of the Establishment and the epitome of all that the Weathermen found objectionable in late sixties AmeriKa). No doubt Taylor put his considerable fee to good use and spent it on booze.
This brings me to the recently released sound track with a bonus CD of outtakes containing a ton of Pink Floyd (just after Syd Barret was replaced by David Gilmore), Jerry Garcia, Kaleidoscope, white bread sweetheart Patti Page, The Youngbloods and the founder of Takoma Records and all round composer-guitarist brilliance John Fahey.
Good stuff to revisit (last night in fact) especially after my original vinyl copy was lost eons ago in some hippie commune. And Mike will be pleased to know that I am revising my Pink Floyd views, but only in relation to this particular period of the band’s evolution. Queen however will never enjoy such a dispensation, even it they had provided the sound track for Citizen Kane.